suddenly sigh

Editor's note: heavy feeling of anxiety, love the title sentence, about the pains of separation. Already are,abercrombie and fitch paris, why crush, hard around the feeling of sadness, release some good. Bless you! You leave the back, I have tears in their eyes vague, I Yuning pharynx, I ask? Is it time crumple when they meet the beautiful yet? Fate must never be broken or made to miss it? Say that fate is carved on the stone Sansei covenant, however, this dream earth, I smelled this heart, but also to depend on where?
gentle and warm like it has such a fantastic feeling, fascinated me, so I am engaged. I will love you so! Just want to freeze this dedication to perfection, do not want to, protruding changes will fuel the already raging trend was the love of the fire, annihilation in the silent years, only a lonely heart, sobbing in the suffering inside.
say, is to open in the heart of the most beautiful flowers, then, who can tell me how beautiful flowering on such a short period? As I told you this feeling, I've been kind of put it in their heart, soul irrigation heart care, but can only be short-lived beauty? Because Red is associated with you there, I just feel that life is really happy! However, without you, what can I happy?
now, I can not breakdown with you for years through the long piece of memory. Fear that it will enjoy unforgettable struggle. Right now, everything is becoming Although the Soviet Union, filled with warm spring season, but I did feel a little warmth. Has been, until now, my heart you are consistent! But I know, your heart has changed hands. Even if I tell the truth no matter how hard your destination, only seem over-obsessed with the dedication to become entangled. So, I had the presence of this sincere heart,abercrombie and fitch france, to accomplish your phrase: I give up is worth!
my pain, in order to do this I had finally encountered the sincere students have changed hands, making a heart full of lost in the confusion in bitter trouble with. I am tired, but also for you that I am dreaming of shadows Zeng, again and again wound in my heart. I cried, because let go, is a helpless despair, I broke our hearts.
drops Tears across my cheek, this life, I can only miss you, I can not when the flowers are blooming, pull your Dramas to watch, not the dreams in the night, and your lingering tempting. But I do not regret my love, this life, I had only really for you, who are often overflowing tears, let me know, I once loved a love so deep and the pain may not have such a life of moving. Because all the sweetness was sadness in as Butterfly-like flying, but also doomed, you and me long life, never to pass by.
suddenly sigh, my dream has been falling in passing. I know, absolutely clear, has crushed my present affinity. Lonely inside, flower, cover your the suffering, to cover up the lonely; keep the thoughts and Wife; the love littered with Red unconscious dream; the end of those joyous melody, a romantic, soulful song rhyme over,polo ralph lauren, past the all,louboutin pas cher, has become a torture.
now, my eyes, the only hope for a kind of flow - I hope I fell on the lake of tears your heart, that is full of stirring up feelings of ripples, so you know: My smile, is to tenderness of your blessing! My tears, I for your unforgettable! Ye Hao let you and I are grateful in contentment, and all are because you and I have met before in the Red Dust.
spent in silence, water, gravity, heavy feeling of anxiety, on the night distant solution Xinyu, a lonely heart where to send, how to depend on a myriad of thoughts? A total dream hard, difficult people gather, silent tears Acacia thick wire, the only truth in the wind.
any afterlife, I would like to look back with a million times, and then return with your cordial encounter! Until then, I hope you wipe it bright red,doudoune moncler, just to let me alone.相关的主题文章：


000 square meters.

lower than the 540

time flies


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."

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