Burdick: I think the United States at a reasonable price to buy some bankrupt enterprises is a good opportunity, but only prior to the acquisition must set a reasonable solution can not be as cheap or can be added to purchase.
Burdick: I have been practicing during the 30 years of research on energy policy. I understand that, due to a sharp drop in commodity prices, U.S. energy companies would bear much greater pressure, of course,
polo ralph lauren homme, some large enterprises will be relatively better, because they do not rely on high to survive.
In my opinion,
Christian Louboutin, a Chinese company in the United States when the acquisition of bankrupt enterprises, we must ensure that the acquired company is able to bring its expertise,
moncler homme, personnel and other interests of these factors is real business needs. In addition, the acquisition of the enterprise, must have an efficient team work in order to achieve scientific and effective legal planning and execution.
Any suggestions?
the area of insolvency laws and regulations have changed a bit, but the current and future period of time such changes are not too large. The reason is that financial markets are leading indicators of economic sectors, its impact on the real economy has not fully manifested; the other hand, corporate governance reasons, after Enron's bankruptcy makes the United States in this area of law, regulations and regulatory system have been more perfect, so, this would not be a big step up.
from the government perspective, Obama came to power in energy policy will change. Government will take measures to change the status of energy for energy conservation,
ralph lauren pas cher, conservation and adopt new policies, will increase the development and use of alternative energy efforts. Meanwhile, Obama will consider adjusting some of its period in the Democratic initiatives in the United States to develop some new energy, and for environmental protection and other factors, to reduce the exploitation of some areas.
comes to corporate governance, I served as legal counsel of both companies, which the Board attaches great importance in this regard at present, requires effective risk management.
In this environment, the United States laws and regulations related to whether there will be a big change?
founded in 1946, the United States Ai Jin Gangbo (AKIN GUMP) law firm in the field of Sino-US trade has deep roots, and its founder Robert Strauss, a former Carter administration Special Trade Representative.
is worth noting that the Obama administration will make policies more likely to attract some foreign investment, because foreign investment in helping the U.S. economy will have a role. Of course, Obama will also be required in trade protectionism.
Burdick: for bankruptcy, the Government is indeed taken some measures to ease the pressure on important business, industry and other funding and other support.
Recently, the partner of Burdick on Obama in financial crisis and other issues related to response measures, accepted the
Zhao Jie
financial crisis,
doudoune moncler pas cher, many U.S. companies face bankruptcy risk, which will be formally unveiled to the Obama administration in market regulation, trade policy and other challenges. Also allow companies to re-examine corporate governance strategy.
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."