the most beautiful dream, not the flying snow slowly fall.
the most difficult to forget, not have been unsolicited sad.
most painful, is not something you tenderness and then walk away.
the most incredible, but it is the role of a wife into a small three.
I did not doubt our end, but you step by step towards the abyss of default.
I am not a lucky person, yet all the desirable things on the future.
earned break me I do not want your last line of defense, she was so clearly in my sight.
I would like to continue indulging your rash, but in fact I have not found the right stop.
inscription ......
summer tired since his arrival, let me get messy quiet life. I did not resist, but silently accept his helplessness came into my field. His arrival broke all my principles, unconditionally into my world, do whatever they want to dominate all my self-righteous.
Yes, acquaintances and soon we started living together. The man twisted into the core of my life, I lost the freedom of body and mind, the sudden unbearable, so I feel disgust and fear. I hate his intrusion,
chaussures foot, but in the shortest possible time to do his woman. If he cheated me, or his momentum down to me, or the threat of his appearance, quelled the emptiness in my heart.
He told me that I was the second hand of the woman she wants. He told me, a little city, but also hides a woman like me. I do not know his words are ironic, or compliment, but then I think it is praise, because I always feel very good. He held my hand and said to me, His generous man I eliminate suspicion and preparedness, his soulful eyes told me what he said is true. It was at night,
doudoune moncler, I took him home. I began my journey of blind love. Acquaintance with a man who just do not understand the premise of marriage began exchanges. I did not love him, but did not find reasons for refusal.
He told me that he would not touch me,
mercurial pas cher, and I actually believe him silly. I felt like an immature little girl and let him mercy. But he has not, as he put it promises.
time I was just going to move, the two days together, he helped me organize things, because the deposit issue, the landlord was kind enough to quarrel. I felt it gave me enough sense of security, for the first time feel like a woman by a man as protection. Because I'm used to protect the people! I live in the home, he asked a friend to help me find, Bedroom, face is not great, very warm. Three charges a rent to pay, and he did not hesitate to pay the rent for me. I tactfully declined his offer, but that he forcibly pressed back. I'm just afraid that he might move in with me to live with, I fear that finally happened, and he really intends to live with me. And I, for fear of him did not dare refuse him. At that time, he is a demon, a monster,
doudoune, a man I hate, only a few days, he actually told me to register with me getting married!
how could, how could I casually put themselves to marry. But that all just a trick of his purpose just want to hold my heart.
I never smiled at him, because he occupied my private space. In addition to his as if my life to not tolerate any opposite ######. Occasionally, one of the opposite ###### through a telephone, let him furious. Therefore, we start living in the state of war readiness. I started to fight back without fear of his behavior, because I can not because of fear, and let this man control my freedom. Quarrel with the Cold War again and again and allows even more crazy and selfish man love me. However, in these years of intense struggle, he has gradually come into my heart. His appearance, from aversion to the habit, from habit to the needs, from the need to dismay,
franklin and marshall, to the dismay can not be separated from. Thus began the step by step to control my heart.
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LOS ANGELES - So much for the 2011 Toronto International Film Festival being a slow one for sales. After almost a week of slugging activity on the acquisition front, a slew of announcements came out on Wednesday.
In the last one of the day, Cohen MediaGroup bought U.S. rights to Luc Besson's "The Lady," with its awards-potential performances from Michelle Yeoh and David Thewlis.
Prior to that, IFC added Lynne Shelton's "Your Sister's Sister" and Abel Ferrara's "4:44 Last Day on Earth" to a TIFF slate that already included "The Incident."
Earlier in the day, Oscilloscope acquired North American distribution for Andrea Arnold's "Wuthering Heights," while Palisades Tartan acquired the rights to Jafar Panahi's and Mojtaba Mirtahmasb's "This Is Not a Film," which was covertly filmed after Panahi was arrested and barred from making films by the Iranian government.
MPI Media Group picked up "Yelling to the Sky," with Gabourey Sidibe and Zoe Kravitz. When it comes to public screenings, most of the highest-profile films have already debuted. Wednesday saw the first public TIFF screenings of the Duplass brothers' "Jeff, Who Lives at Home," which has been well-received, as well as Joel Schumacher's "Trespass," Julia Leigh's "Sleeping Beauty" and Canadian director Ken Scott's "Starbuck."
In some ways, Steve McQueen's ######ually explicit "Shame" continues to be the talk of the festival, prompting a spirited Twitter exchange on Wednesday between pundits David Poland, Kris Tapley, Scott Feinberg, Brad Brevet and Garth Franklin over whether the film implies that the brother and sister played by Michael Fassbender and Carey Mulligan ever had ######.
Another "Shame" note: Anthony Kaufman reported that a female patron sitting in front of him passed out during a graphic scene (but not a ######ual one) late in the movie.
"I can't imagine Fox Searchlight, the company that announced its acquisition of the film over the weekend, were aware that the film could make viewers pass out," wrote Kaufman at indieWIRE. "Let's hope it doesn't stop them from mounting a vigorous release of this stunning film."
Searchlight executives probably had a flashback at the "Shame" screening, since they experienced so many faintings with "127 Hours" last year that the sideshow threatened to take away attention from the quality of the film. But they should be safer this time around; "Shame" seems likely to prompt lots of controversy, but not many fainters.
According to indieWIRE's criticWIRE feature, incidentally, "Shame" has received the most positive reviews of any film in Toronto. The site tallies letter grades from dozens of critics and will publish a full rundown of TIFF grades at the end of the festival - but now that the festival is in the homestretch, they've published a preview of which films are doing best, and Peter Knegt says that "Shame" is at the top of the list.