South Island Tomtit and Stewart Island Robin – Two original bird ...

'South Island Tomtit' Watercolor on 300 gsm Arches Hot Pressed paper size: 16" x 10", 410 mm x 255 mm © Susan Harrison-Tustain'Stewart Island Robin' Watercolor on 300 gsm Arches Hot Pressed paper size: 12" x 7 1/2", 300 mm x 190 mm © Susan Harrison-Tustain Stewart Island, New Zealand has <a href="http://www.ghdstraighteners2011-cheap.com/ghd-radiance-set-p-5732.html"><strong>ghd hair straighteners cheap</strong></a> a well deserved pristine, clean, green reputation. Stunningly beautiful this land feels almost prehistoric and it is not hard to imagine this is what most of New Zealand must have been like before man arrived. Almost predator-free this place has a mystical atmosphere. The bird song and wild-life as well as the native forest, Manuka scrub and wilderness is awe inspiring. An artist's mecca. It is here that I studied many of our native species including the South Island Tomtit and the Stewart Island Robin that will feature in my 2011 Recollection exhibition. The South Island Tomtit flittered from branch to branch in a native forest area that was covered by a dense canopy of tree tops - shading the undergrowth from sunlight. A stream trickled beside the track and the almost luminous green moss covered everything in sight. Quite beautiful and almost surreal - this place was a heaven for bird-life. Preview of the framed paintings: We were also befriended by a gregarious Stewart Island Robin. He was our 'shadow' for about one kilometre of our tramping day. When we stopped - he stopped. He would sit nearby as I sketched - daring to draw closer and closer. My shoe lace was his ultimate target and as he tugged at it and then darted back into his perceived 'safe zone' - I was able to make quick sketches and notes for the study you see here. My painting technique for feathers begins with underwashes of local color. I then use a dry- brush watercolor method. This is ideal for capturing the texture of feathers in watercolor. Layers of watercolor drybrush emulate the natural layering - and careful color selection and mixing help to create the feeling the viewer can reach into the painting and touch the feathers. When painting bird studies <a href="http://www.cheapstraightenersghd2011.com/"><strong>cheap ghd</strong></a> I like to observe closely the pattern on the feathers, how they lay - one on top of the other as they protect and also repel rain. They way the texture of the feathers <a href="http://www.hairstraightenersghds-sale.com/ghd-glamour-limited-edition-p-5732.html"><strong>remington straighteners</strong></a> differs between the ruffled soft downy feathers in one area and the stronger more stiff feathers in another is always fun to observe and portray. I also note the amazing color patterns on each feather. The challenge is not to simply depict the bird - but it is to portray it's character within the paint layers. I hope you can feel something of the nature of each of these beautiful creatures. Feel free to contact me via myÂ*contact form if you have any queries. ~~~~~ Learn about myÂ*Watercolor Painting Technique in myÂ*Watercolor DVDs. Learn aboutÂ*how to paint in myÂ*Free Art Lessons. &nbsp; Tags: bird studies, drybrush watercolor method, feathers, how to paint birds, painting, painting technique, sketches, south island tomtit bird, steward island robin bird This entry was posted on Tuesday, August 30th, 2011 at 4:14 am and is filed under Everything else. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Àõ, ìàëûøêà, òû ñïðàøèâàåøü, çà ÷òî ÿ ëþáëþ ñâîþ æåíó, è íè çà ÷òî íà ñâåòå íå çàõî÷ó ðàññòàòüñÿ ñ íåé? Ýòî äåéñòâèòåëüíî òàê, è ÿ ãîòîâ ðàññêàçàòü òåáå. ß çíàþ, òû Âåäü òû ãîðàçäî ìîëîæå, ñòðîéíåå. Òåáå äåâÿòíàäöàòü ëåò, è òâîå ñòðîéíîå, ãèáêîå, êàê ó ëàíè, òåëî, êîíå÷íî, íå ìîæåò ñðàâíèòüñÿ ñ òåìè ïðåëåñòÿìè, êîòîðûå ñîõðàíèëèñü ó ìîåé Òàòüÿíû. Íî, ìîæåò áûòü, ÷èòàòü áåñïëàòíî îíëàéíÂ-÷åòâåðòûõ, è ýòî óæå íà ïåðèîä âûçäîðîâëåíèÿ ðåöåïò - õîðîøî á íàéòè ñåáå ýìîöèîíàëüíóþ îòäóøèíó. Òî, ÷òî ïîìîæåò áåçîïàñíî âûïóñòèòü ïàð, è ïåðåâàðèòü âñå, ÷òî ó âàñ ïîÿâèòñÿ ïî õîäó ðåàáèëèòàöèè. Òî, ÷òî ðåàáèëèòàöèÿ áóäåò äëèííîé - ýòî áåññïîðíî, è ê ýòîìó íàäî áûòü ãîòîâîé. Òðè ãîäà îòíîøåíèé - î÷åíü äëèííûé ñðîê è òàê ïðîñòî åãî èç ïàìÿòè è æèçíè íå âûêèíåøü, îí îñòàíåòñÿ ñ âàìè íàâñåãäà. Ýòî - âàø îïûò, è íå ñòîèò ïûòàòüñÿ åãî âû÷åðêíóòü èëè çàáûòü. Íî ìîæíî íàéòè ñïîñîá äàòü åìó áåçîïàñíûé âûõîä - ýòî ìîæåò áûòü ìóçûêà, èëè òâîð÷åñòâî, èëè ÷òåíèå õóäîæåñòâåííîé ëèòåðàòóðû òîé òåìàòèêè, êîòîðàÿ âàñ çàòðàãèâàåò áîëüøå âñåãî. Âàì âèäíåå.Ñàìîõâàëîâ Ìàêñèì Node-doll Ìàêñèì Ñàìîõâàëîâ NODE-DOLL Ïîñëå óæèíà, ïîñëå âêóñíûõ ëàìî-áóéâîëîâûõ êîñòî÷åê, ïîèíòû ïîòÿíóëèñü â õîëë. Ñûòî èêàÿ, îíè ðàñïîëîæèëèñü íà ìÿãêèõ äèâàí÷èêàõ è ïðèíÿëèñü ñìîòðåòü òåëåâèçîð. Áîññ, çàäóì÷èâî ïîñòóêèâàÿ õâîñòîâûì êîãòåì, èçó÷èë òåëåâèçèîííóþ ïðîãðàììó, ïîñëå ÷åãî óäàëèëñÿ â ñâîè ïîêîè. Çåëåíîâàòàÿ âåäóùàÿ ðàññêàçûâàëà: - Òàêèì îáðàçîì, ìàõîëåò ïîòåðïåë êàòàñòðîôó. Hèêòî íå âûæèë. Èëè, âîò, ñî÷íàÿ êàòàñòðîôà. Âóëêàí Àáó-Ìàõó, èçâåðã â íåáî òûñÿ÷è òîíí ïåïëà, ïîõîðîíèâ áîëåå ïÿòèäåñÿòè íîä. Hèêòî íå ñïàññÿ. Ýòî ñëó÷èëîñü ïÿòü âåêîâ íàçàä, íî ïàìÿòü îá ýòîé êàòàñòðîôå - Äîñòàëè, - ñêàçàë ïîèíò ñ ïà÷êîé ìåëêî èñïèñàííûõ ëèñòêîâ â ðóêàõ. - Äà òèøå òû, - øèêíóëè íà íåãî. - Ãðàôîìàí ÷åðòîâ. - Èëè âîò, êàòàñòðîôî÷êà, ñî÷íåíüêàÿ, - âåäóùàÿ äàæå çàñìåÿëàñü îò óäîâîëüñòâèÿ, - êðàñíûå ìóðàâüè Ìèðìèêè, ïÿòüñîò ëåò íàçàä ñîæðàëè ôàéëýõîõàá, âìåñòå ñ íîäîé. Hè îäèí ïîèíò íå ñïàññÿ. Hàøëè òîëüêî îáãëîäàííûå ñêåëåòû. - Óæàñíî, óæàñíî! - âîñêëèêíóë Õîìóò.
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