Sometimes then I thought is not a bad thing

inevitable setbacks in life, the key is to see how you face! Sometimes then I thought is not a bad thing,doudoune!

day Street light rain run such as cakes, very thick grass nearer. Outside under the rhythm of the rain. Beat everything,polo ralph lauren, given the ticking sound, sweet rhymes,chaussure louboutin, Although like rainy days but not like a school on the rain Yeah, it seems that the path can not walk and had to go around the road, ; when I was extremely depressed then I want to just exercise.

at noon as the 'first century', the end, the students are like a hungry wolf will fall out of the classroom like a meal, everyone is an impatient look. I got up and pay for the habit of ... ... Huh? Money? Suddenly ominous feeling wells up behind the three black lines suddenly emerge - the morning to go so fast, forgot, and again by students, one by one to make powerless, pretending to be helpless like, when I was anxious extremely overwhelmed when he switched to a meal just to save weight.

afternoon,doudoune moncler, first class, thirst, customary on a first touch to the bag - looking for water bottles. Huh? It is not in the right side of the left. I read side to side. Khan! I left touch. The right touch, do not! That day! Ah want to force me onto the road to ruin? By students? Do not pay attention. Just when I frown, then I thought,moncler femme, well, just save water resources.

ten minutes between classes, the students were mad crazy, a bustling downtown. A handful of students picked up my rubber to throw. Usually do not like to buy a rubber, rubber also got left point people throw it away. Anger Dunqi mind. At that moment, the students then picked to me. Who knows I just said something, rubber to say goodbye to me again. I have tears in Nudeng TV drama students. Well, then I thought, when the contributions to poor children, offering love the.

life, you will always encounter is not desirable, and why not happy optimistic, then I think?


(Editor: Juelian Red)
相关的主题文章：


exposed rain I do not know

the first year I was in college

Uncle do not know a joke or seriously


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."