Editor's Note: Good good loving words! Spring near-and far-lan getting full ... ... with you, love is no longer a legend, even if life has not shirk, the gap in time, the next life will be continued access. . Reading this Essay, body and mind is a joy. Wish a friend happy! Wish a Happy New Year! From Shaoxing back, you tell me to favorite gift. See you walking far, shoulder lug one pair of 10-kilogram Nver filled the jar. I was surprised and rushed to the owner, distressed pity your weak shoulder Oh, light duty, then your journey bags, shoulder to shoulder, to the dwelling of the alley that day, the West Lake in March.
enraptured,
polo ralph lauren, joy said harvest Shaoxing trip, just this month, cell phone filled with your dark thoughts, from simple love into the deep-seated in the accompanying friend, your eyebrows are still maintained I dream of the first color.
Mindful of his childhood, talked about in the hometown of rice wine, your strength of character as the water is still pro-graceful, although no bamboo Ma Qingmei, and that a rainy season of love, but moisture and a deep love, heart, such as Yi Gan, the idea that the dust, from around you wallow.
into the house, waiting for lunch between the rich, you like the brow, arms pull the neck, eyes closed, Jiao Chen, Tan-colored mud open forum, Full House glycol overflowing, a Nver, shallow dip into the lip, cheek there between a drunk-like addiction, peach color, blooming Xiurong, more pity for you, Dimeishunyan gathered after the first post from love Sweetie.
days of March, the warm spring breeze ask, Sir Georg Solti walk,
moncler pas cher, keep your back after this short break. Left lying on the path from time to time to pick up the petals, the income of each piece of bright red hands, cuddly looks to pull. Peach and reflected the spirit of your pretty, I accompanied Willow, Long Beach, a bridge, worth a bent brow, the wind suddenly began to Dangqi your hair flowing, love in my heart transpiration, the spring in March, I jump for joy chase, hibiscus surface, the rings even more peach to green envy.
Yuan Wang Nanping Hill, Xixia Ling was already indigo, clear eye light condensate, water, mountains blank and also odd, walking through the landscape with this season, replacing the early spring look even more lovely. Before the parting of the misery in January, nestled in the warble in the bright, and your facial posture, eventually I Rinpu Ru Xu a soft paste.
reflected waves over the bridge, Yang drive to make the spring chill, wind Yi swing, with the birds, water as a mirror, shadows sprout, you bend over Jushui of joy, even more tenderness. Shining Peach, Willow delicate, touching at, the end is less than your smiley face, hyperopia, six decorative points of the bridge causeway, cross waves Miaomiao, ecstasy of the problem is you are kinds of style.
Forest Bridge, looking water, makeup air, hair hanging along, but also provoke heart pity, half by the shoulders have your breath, such as blue, birds passing the lake, lead your eyebrows a new joy,
abercrombie, basking in the side landscape, the early spring I vaguely remember the farewell, then, you give up the tears dense fog, which may be the case front of a Bi, left after midnight in the silence, the two fell in love with the heart, continued with the color of heaven access.
Lan bridge over the lock, Uncle Paul distant tower can be seen, said Xu Xian and Bai Suzhen the story, repeating the French hate the sea on your lips and your cunning of Ceshou ask, one day, I such as that of Xu Xian will be timid,
moncler, you need protection the most when listening to calumny. Silent, Qing Long you in my arms, just a language, silent fall into your forehead, the laugh, far better than promises.
see your childish show eyebrow, my heart since the float juniors spend the greed, I say; life, blend in the beginning of our lives, already carved in stone Sansei Covenant, and that the garden a new green, Is not our life to come with Jade? The osteoclasts, and into the blood as early as the connected vertical time have to do, love but of years,
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down low light language, you pass a heart full of ups and downs of the reflections, you say; with the total death, if you leave, be sure to follow, because you can not bear a person's life are sad!
spring near and far Lan getting full, After you organize those images of joy, dead of the night writing, carefully recording the landscape of our peers, the students in the graceful enchanted, the serial into a book, love the title page, there are problems with the heart of your mark, love, is no longer a legend, even if life has not shirk, the gap in time, the next life will be continued access.相关的主题文章：
our family is so warm
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⊙ newspaper reporter Zhuzhou Liang
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
the students in the graceful enchanted
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