Editor's Note: Whether you love too late, or my heart is lost too early, you better not miss the back. You listen to lonely singing
gently bitter
song is so cruel
river of tears can not help but let you listen to lonely
gentle singing crazy
grief more profound
how they can make it stop it
- Asan
listening to this song, decisive and thorough look at you, but my mind was always I could not hate. You say you live well, you say you want me, want to hear my singing voice, and I, but remained silent. I'm afraid, afraid only to speak, tears will flow; I was afraid, afraid that they not strong enough, not enough to resist your gentle. Tears after reading your article was written, sent to you,
abercrombie and fitch france, hope you can understand,
Christian Louboutin, we would have been missed. Now, I do not want to look up the profile and then looking at you, pray for one day, when you turn around you will find I have crazy love. I have dropped you in the wind, when I turned around, black and blue, and you can not see.
see your head getting dark down,
abercrombie paris, you just look at the frustration, self-righteous gentle look at you, watching you so unforgettable words. Heart, has been tightly tangled. Why bother, why bother? So many years later to tell me this? Why bother, why bother? I have forgotten the time, personally torn wounds that left your mark? Why bother,
chaussure louboutin pas cher, why bother? Allowed itself to be trapped so deep? In the end, do not feel bad or me?
If I just want to remember, please do not hurt yourself. If you must hurt, then let me bear, because the hurt you more than hurt me made me feel bad. If you can, please take good care of yourself. The only hope is that you live each day happily. However, why can not even meet this requirement, but also why the injured joint from you. The face of your accusations, you know how uncomfortable my heart. You ask me, the mark engraved in my heart How to wash? You ask me, I ask who? You turned to leave why do not want to, not Qusi, do not look back. You ask me, blood can wash it? I tell you washed away, some pain is doomed for life, doomed to a lifetime.
once, once was, has always been my eyes in search of you, watching your back in front looming, I work hard on your feet want to. But your feet so fast, so fast that I even run to catch up, I never speak to you stop, you never look back to one covered with scars me. Finally, I am tired, tired, do not want to have to pursue, and I want to rest. But you turn back at this time, told me: to my quick follow up, without my companionship, you can not find direction. Why bother, why bother, so torture me? Why bother,
polo ralph lauren homme, why bother, give me the false illusion? Why bother, why bother, let me know who I also have a seat location in your heart, let me know that you care about I have a trace of pity for me. My heart, way back in the running loss, and can not find it. Without a heart, why will feel the pain of Audition?
love you came too late or too early lost my mind?
we doomed two parallel lines, never the focus. So, please, when you leave, a little cruel, cruel thing again. Since the choice of abandonment, would not have hope, hope the day will be reunited. I also like the wind in the hair, even though lonely, but after all, still own. Love of the game, play in this game - to continue, afford - out. I am doomed to a lifetime of losers, so do not blame me run away. I have the courage to go to touch those scars.
lonely not because you just want to, but because you just want to loneliness. Do not know who said these words, but me? Why do I think you? Listen to If you do not mind, put aside all have it, a road, alone, before the line, no direction, no purpose, you are still you, and me, still me.相关的主题文章：
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Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
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