a friend to play immediately telephone

the phone rings, Li Qiang, a meeting, friends, anxious voice on the phone to let him leave in the full view of the embarrassment. My friend said he urgently needed a few of the professional information, and asked Li Qiang can not immediately find him, Li Qiang, know that the information is hard to find,franklin marshall, but out of loyalty between friends, Li Qiang was promised things down and do his the same things as their own heart.

the next two days, Li Qiang Benzou in this thing - quite a few students went home, ran the library,doudoune moncler, the Internet also search for a long time, but still nothing. Li Qiang, anxious that day, the mind is always thinking about what information can be described as disturbed sleep in the food tasteless. But the thought of friends desire, Li Qiang,Christian Louboutin, also believe that these pay is worth it.

happen one day go to Beijing to work in a large bookstore to see a friend visiting information, ecstatic Li Qiang, pay to that information quickly bought it back, Li Qiang, a friend to play immediately telephone, told him that he bought the book. Little do they know the phone voice of a friend was hesitant, he did not remember the original had to do to find information to Li Qiang. Conversation at the end, finally wake up after he apologized repeatedly said in that day when he is in the design of an urgent need to research some data, but then he found a solution, implying that: the books he had not. Li Qiang, head

emerge when the word He suddenly slumped, I do not know what their attachment to.

home Qiang still not come out from the loss of his wife and ask the reason,Christian Louboutin pas cher, she not only did not accompany him angry,ralph lauren pas cher, but relieved and said: . Everything you do, not to any other person, but respect yourself. 相关的主题文章：


but once a year to maintain the travel.

night is enough

he looked so good


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."