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Old 04-26-2011, 11:27 PM   #1
alinas0968
 
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Default 柏林电影节的 中国虚火

柏林电影节的"中国虚火"
李牧
今年的柏林电影节,在主单元中一下子推出了两部中国影片,还把其中一部《团圆》的主演余男列为评委.一时光 柏林电影节的中国元素占到角逐金熊影片总量的非常之一.
与戛纳电影节、威尼斯电影节并列为国际三大电影节的柏林电影节,主打中国元素,解释中国与世界间隔日近,这 个老资历的电影节,赶了回潮流.但参赛的两部中国片,一烂一冷,又阐明这场中国电影文化秀,仍 旧是虚火,discount jimmy choo,很隔阂.中国还远谈不上影响世界,更不用说输出价值观.柏林电影节抉择国名著名度有限的《团聚》,以及国 内影迷骂成一片的《三枪拍案惊疑》,体现出中国与世界的沟通失真度甚高.
《三枪》以一般影片请求,也就那么回事儿,电影院里多差多没味的作品没呈现过?但以张艺谋这个人,配上一线 红星拍出这电影,想不让人骂是欺人太甚.骂这部片子的既有普通观众也有行业名家.这部片子切实与张艺谋的名 气不相当.到目前为止,对《三枪》最平和的批驳来自清华大学消息与传布学院副院长尹鸿:"我感到(《三枪》 )要取得金熊奖的可能性仍是很小,由于究竟还是有一些基础的电影艺术规律跟片子翻新法则,大家还是有必定的 共鸣."
孙红雷是演技派演员,演了《三枪》这样一部烂片,只能是导演的义务.这样一部片子,居然弄到国际电影节上, 真实 未审信服张艺谋的胆略.说张艺谋已经失去了根本的自我判定评析能力,估量没人会相信.张艺谋送去了一个经由 紧缩的"参赛版",剪了二人转段子当然是因为洋人品不出东北话的滋味,可这种"内外有别"说明的远不止文化 差别.
《三枪》再烂,张艺谋本身的艺术功底没人会否认.《团圆》则足够让人赞叹其冷门,导演王全安和主演余男,普 通观众一点点印像都没有,媒体报道又何偿有太多的资源可循?余男的钻饰被凸起报道,nike air max 2011,是新闻点更是无奈.这个相对怪不着旁人,王全安的《团圆》是新片,可他以前拍的片子一样没人记 着.
国内冷门的《团圆》参赛,armani online,剧组和媒体对柏林电影节的懂得,远多于该电影节对中国的了解.由西柏林电影节改名而来的柏林电影节是国际 性的,但毕竟属于痛史无边的柏林,改名这一进程本身就是德国决裂的历史纪录.《团圆》波及海峡分裂骨肉生离 这一政治主题,信任在柏林墙原址前不难失掉共识.片中重复涌现的中国式饭局,合家共餐,精心烹饪等场景,欧 洲人很难懂得,影片导演与媒体已有共识.《团圆》亮相柏林,躲避不了的仍旧是最终命题:为什么欧洲人又一次 热捧了在中国很冷的导演和影片?
正度六十大寿的柏林电影节看重中国元素有二十年以上历史,公正说这确切是欧美电影人中对中国最真诚的一个群 体.今年柏林电影节主席迪科.科斯里克,透过搜狐的采访镜头,手持春联向国内的中国宽大影迷拜年问好,和中 国风俗接轨的真挚而天然.
1988年张艺谋的《红高粱》在当时还叫西柏林电影节的柏林电影节上上斩获金熊,张艺谋自此走进国际视线. 时移事易,德国已经同一.再以所谓中国元素的《三枪》,既不可能重创红高梁的光辉,国内观众也日益独破断定 ,不再以洋奖牌定得失.
今年柏林电影节选的中国片子一冷一烂,可能有各方面起因,但欧洲电影人的阅读感知才能本身,也不一定很好. 今天余男的钻饰成了亮点,昨天的华裔评比也不一定很出色.2005年第55届柏林电影节,美国华侨女星白灵 入选成为评委,她在中美都不算一线影星.2008年第58届华裔评委是舒淇,确实是红遍两岸三地的一线女星 ,但她恐怕很难代表中国电影艺术.本届的余男,其佩戴的昂贵钻饰竟然成了媒体的报道重点,她的演技如何却不 多少个娱乐圈老记者能说清楚.
"中国虚火"的柏林电影节,ghd 1v styler,固然以艺术性著称,依然属于潮流文明、娱乐贸易范畴.这样一个电影节对中国浏览的虚与实,也是无所谓的事 件,再怎么说电影交换不是军事对话,不存在擦枪走火的可能.非得纠结在被世界器重与被世界误读之间,自身就 很拧巴.中国电影获国际奖,在海内影响越来越少,是有意思的事.
本文发表于10月21日《华西都市报》
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Old 04-26-2011, 11:37 PM   #2
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