with school age years of pure green

to have a friend, a close friend, they have a lifetime of emotional needs, friends such as food and clothing, such as the sun and the moon, such as our own shadow, most alone, regardless of miles away thousands of miles, as long as the wave of phone,moncler, even if silent, not saying a word, feeling the moisture is rain, calm as a mirror, frame of mind like clouds. By parting the two. If no more that a helpless, how can cherish.
Socrates said:
friendship, it is a seed value, it will sprout in your heart, pumping leaf, flower, until the results. The fragrance that will bloom when the front line with you for life ... ...


friend is like a night sky of stars and the moon, another light,Christian Louboutin, another Star, encourage each other, across each other. Friends that is embedded in the love of silence,moncler homme, not necessarily day meet, forever the hearts interlinked; friends do not have to flatter the virtual Italian, a nod might have intended; sometimes remote relative to light up, enjoying themselves? A friend is a meet; a great friend; a hui.
friends can come together with each other and mutual understanding and closer, it is fate. In the coming and going, everything is separate journey of life, in their different life trajectories, in the heart of the different experiences of the sea, to one another, meet, meet, can be said to be a lucky ... ...
, friends and a mutual recognition, mutual admiration, mutual appreciation, mutual perception of the process. Each other's advantages, strengths,doudoune moncler, highlights, beauty, will be reflected in your mind, panoramic view, even a little bit of valuable friends will be your energy up, you become the driving force and source of life-long benefit. Friends of the wisdom, knowledge, ability, passion, is close to the magnetic attraction and your strength. While all your friends know and perception is your process.
cup of light water / put up a few tea leaves in the after / green to suddenly give birth to a Jisi / and That dried up leaf / in a very short period of time unfold / / I like the easy-going with the usual tea / your humble and not Johnson kinky / into the thatched cottage and no mean / friend such as tea.


fact, want nothing but a result of the profound friendship, friendship is the spiritual sustenance. I have always uphold: to make friends Ningquewulan purposes, not for more, and be refined. Mad heroic male friendship rough, raunchy, sometimes just a look, there is no fan Xu language. Sometimes he does not need too many words, just a tacit understanding. Friendship is the purest, the noblest, the most simple and most ordinary feelings, is the most romantic, most touching, most solid and most timeless emotions.


Boundless, Red rolling, the face in the crowd, big crowd, I was lucky, in life there are many sheets warm face. At 8 pm, the rule of the sword received a European call company manager, Ms. Qiao-Ling, for his kind invitation I went to Union County next to the They are passionate and intelligent, all sing. Qiao-Ling, leaves teachers, German, pass laws, one that highlights the names of their elegant beauty of the soul.
friend is concerned about each other, each other's thoughts. Endless thoughts is like a river, like a gentle breeze in the clouds, like a fragrance bursts of flower, like a lingering wave of Xiao. Sometimes she is also a faint memory,doudoune, a touch of tea, a touch of sympathy.
had a dream last night. Dreams are a long absence, the vast field, and I, but not by a long time ago that things ignorant youth, with school age years of pure green!



Plato said:

mother said, you can not love all people, not to expect all the people like you. 相关的主题文章：


It is said that the mother is the root

demon grown old

今年上半年GNP同比增长7.1% 企稳向好势头日益明显


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."