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more showing the best condition so that people

people photography skills to get professional results in harder than you think, the reason is very simple: employ a professional photographer's prototype very enjoyable, but you know, the reason why the model is a model, because only a - they nor eat nor sleep. Of course, I was joking.
reason they become a model because they are very photogenic. So, let's work more difficult: we are not surrounded by beautiful models. We are usually for friends or for a lot of looks between Mr Bean and Jabba the Hutt between people who shoot. This is the figure as a photographer, the work of capable professional photographers than the more challenging because - I want the model with non-magic people who get results. This is why we often pictures of people we are disappointed because (of course, is not our mistake time). In this chapter we will see two bring ... to an end to prove that the method can help us get better every time, more professional photos.
(1) looks better with people how to make friends (if you're wealthy, which is very obliging).
(2) learn to control lighting and control subject's posture. The key is to use thespian lighting, I said These non-model turned the subject to be lit the less, the better the final photo. In fact, consider the profile or a long night shooting, which is the subject 100 to 200 yards from the shooting - at this distance on anyone looks very good (this is from the United States of reasons). In any case, this chapter will acquaint you that shooting people approximate, and provides a list of locations in these districts often have to dress more expensive than the GNP of Luxembourg's jeans and facial expressions of people play better.

Do not depart too much brain space

When most people take a snapshot, they always leave too many on the head of in the subject space (as shown above ). This is the most mutual errors amateurs, but fortunately it is very easy to fix. But do not do that - do not leave too much space. If you memorize the 1st volume of the writing characters Goutu skills (eyes of the subject in the scene box at the top 1 / 3 places), then you can avoid this

character intention

most pictures are taken horizontally (landscape photography), which likewise created the most perfect sense, because the camera is charted in such a way - - the level of patronize, which is the reason the shutter button at the top right, just where the fingers can be placed surely.
However, the professional portrait photography are usually vertical shooting (which is also phoned horizontal) or portrait (vertical) buttons). So, if you want to get more professional portraits, the camera vertically, according to figures the direction of shooting (of course, like other rules, like always there are exceptions, this chapter will consult these exceptions after).

shooting people? Must be taken if the battery grip

many people, then you will cost a lot of time on the camera upside down, press the camera will soon be on the top of the shutter button feel exhausted.
At this point, you need a perpendicular battery grasp. In adding to granting you apt use two batteries, no need to replace the battery can take extra time, different convenience namely that the most of the battery deal contains perpendicular shutter button and set the aperture and shutter speed knob, so that the class of vertical shoot fair the same feel snug. In counting to these benefits, a cloud of photographers I understand calculate namely the entire camera in your hand more cozy, extra safe, even while the true level of shooting (the camera in the hands of the emotion is quite major). Even better news is that these batteries can be accustom to handle maximum SLR cameras, relating to its convenience, the battery grip to be cheaper than expected (generally more than 700 yuan).
order to find a battery grip only when something: Not all battery grip has a vertical shutter button, so be sure to validation that you ordered the battery grip with this feature.

pseudo-rules - You should be back to the sun (in the top of your shoulders), so the subject's face is illuminated. This snapshot is perfect rule, but it is a collective of people at the worst (except for
If you want to make outdoor portrait photography with professional quality, so do not let the sun shines directly on the face (although most people are like operation), this would allow everyone indirect squint, the eyes can not be opened, and can not face the camera. Worse, they face a harsh, direct, repugnant light.
If the subject back to the sun (not your back to the sun), so they have a good edge around the optical effects (tick as hair contour), then a little flash (to reserve the flash fewer bright), so Their faces have enough light, so they mixture with the surrounding natural light.

tapering the wide-angle lens

this conception refers to the scene with wide-angle lens - because the rules have been adored - do not use wide-angle lens, because they will perversion, see it is very curious, so many years I do not think this method too.
But the world's top photographers, eminent Joe McNally complete subversion of the fable, completely changed the way I shoot environmental portraits - with wide-angle lens, closer to the lens. When using wide-angle lens, you can actually closer to your subject (you can narrow), they will not be twisted, but the scene looks a little box the edge of the scene, I have been skeptical of this method, until Joe challenged me, look at People journal, most pictures are taken to narrow the wide-angle lens. I was shocked, not only People magazine, where almost everything is true - from magazines to billboards to publish ads, online. Professional photographers closer to wide-angle lens, you can!

shake-hands grip the side temperaments

Now that we have knowledgeable the rules of vertical shoot portraits, let us crash the rules (rules of photography is the most interesting thing - - If you learn these rules, it is feasible to break them, very cool bar! But if you accidentally break the rules, it is unwise, because it is insufficient because comprehending). In any case, deliberately break the rules of the place is when we shoot the subject side. The retinue reasons: because the subject box of the edge face of King, If the vertical subject, they look like portraits will be limited to a box, the visual is very uneasy. So, to break the vertical rules shake-hands grip the side characters, make the subject a visual breathing space, view the subject box look more comfortable.

better use of telephoto portraits

you saw on TV the high-end photo shoot (which may be shot or somebody shape shoot), and noted photographer department and the subject distance anyhow? This is because they use a longer focal length lens (this lens is ideal for shooting portraits) to cater a The photo above tells us the secluded entirely - with the 50mm lens is left, right with 70-200mm lens, the focal length of 190mm.
even now all camera settings and lighting are the same (they take only a few seconds interval), the right of the photo she looks even more favor the achieve. This is where you will watch a lot of professional photographers to capture a broad scope of focal length portraits of reasons. That is to mention, they try to shoot with a telephoto lens. So, if they use 28-135mm lens, then the 100mm-135mm shooting range will have the best results, portraits of the most satisfactory results at this time.

necessitated for shooting portraits outdoors for

soft mask when shooting portraits, the light is very raspy, is not satisfactory, then the aggravate the effect can be between the coin decision: camera built-in bounce flash or direct light.
Fortunately, as you are in the But if we are on the waterfront or the desert or other location close the shooting did not shade it? Then you need to have the emulating equipment one of them - 33 inches Lastolite TriGrip 1 document diffusers (I also said some of the flash, external flash thorns scattered attention, so here it has a twin mission). Ask a friend to hand-held soft mask in between the sun and the subject (shown above), you immediately get soft, beautiful natural light. The amount is almost 480 yuan, leaving studio, you will adore this light buoy.

a better alternative for the portrait portrait photography background

The key is to get a good background, If shooting in the context (such as someone's family or office, etc.), in order to get professional results, scrupulous not to enhance the background - it removes some of the background landscape. You need as little as possible elements in the environment of decentralization theme, if I were you possible, as much as possible to clear some off-topic elements, like the right side of this picture in the same way I did. Do not ignore it - the characters to create a truly ideal surroundings, it can not only play a role in the hereafter. The photo must be handled as a whole, by electing (or create) a simple, clean background, straight up the likelihood of victory.

new idea of ​​composition skills

most of the photos you see is not a horizontal position, is vertical, so the camera angle should be more innovative, the current minds! Now, because the portrait photography has a very renowned method: become the camera angle, this angle makes the subject towards a turn. This usage is simple and could not be simpler - just swivel the camera slightly to the right or left, then shoot. You may need to try several times, so that the subject in the border you want to view the position, but this effect (it has existed as many years) will be more renowned.

cut their head above the

portrait photography is . In this composition skills, you need to neat off the top of the head of the subject, read here, you will definitely feel strange. King fills the subject's head frame is a very popular professional skills. The formation of crowded composition like this a very constraining results, as shown above, now it attracted your attention, you will find this composition technique everywhere, has become a lot of top fashion, prettiness and portrait photography fashion. (Note: Although cutting the top of the head of the subject, or the edge of the arm, shoulder, hair, etc. is a good idea, but you should not cut his chin. People actually used to see was the top trim, it would appear natural , but seeing the photo is harvested chin visual would be very uncomfortable.)

outside team shots easier

illuminate a group photo, and everyone have the same value of light is undoubtedly a challenge, which is taken collectively, they ordinarily let the subject to get better results outdoors reasons. Use the accessible outdoor lighting to illuminate the all subject will be easier, especially the subject in the shade (not the cool depths, only the edge of the shade, but did not blot through the bough, the breach between the window or architecture project in the subject body). If you are lucky ample, in dismal weather, group shots, then your work is very simple - just let the subject work appearance, dismal sky, the light will be good for your cooking questions, so you can focus on how they pose on. (Incidentally, in array to get professional results group photo, the photographer will not say posture techniques

afterward group shots, do not let everyone stand in a row (you know this effect seems not good), trying to get them to construct around in some scenes - some the subject will naturally sort themselves a good position. For example, trying to make people around the bed or beds, or chairs, pillars, motorcars, charts or anything that can set them on the synthesis of a whole object or to pose around, so they do not stand in a straight line.

life skills

group photo shoot more acceptable to the collective life along to it? Then the subject was so close pyramid (triangle), but I said close manner they are exposed to - every other along the arm, head get attach, a box at the top of the scene, each one In the bottom of the pyramid side (shown upon), others are tightly against the middle. In this way, you will find that their body is not a straight line - their position is staggered, but they are all leaning together, so let the pictures look more dynamic and interesting. I have not tried this method on a large number of group shots, but if you've got one amusing photo of collective life, this is the most powerful specification of this method.

do not uniformly illuminate the entire subject

people to see pictures, they are the first photos of the scene to preoccupy the brightest, so you just want the brightest light projected on the position you want, right? Exactly! So, if shooting portraits, you want people to focus the subject's face or arm the erroneous stack it? Certainly so. But most people use the same light to illuminate the entire figure, with hands on either sides of the subject face the light is almost the same. If you want to reward diagram to lead the eyes of those you wish to place the focus falls, then light the subject, the brightest light in the subject face, then down and onward the body gradually darken. This adds to the fun, vivid, you will find the visual focus is usually on high-end figures. Incidentally, this is another example of emergence of light, this light edges is the subject's face, the face quickly than the light perfectly tear dark (but do not let it get too dark - it should still light, there are details, but did not face off).

want to get better portraits? Do not report the number!

If you want to see good situation to shoot folk, and then reception the shutter button before the number 1,2,3. This nearly guarantees you can not have natural portrait photo statement. As a photographer, found a natural expression of character moment, and capture this moment in time is your job. Anyone can stand there, the number 1,2,3, and then reception the shutter button in the fourth tone, if you do, your photographs can be taken anybody additional human. If you want some special effects, more natural expression - a sincere smile or face, then forsake this outdated practice of 1,2,3, but speak with your subject. Inspire them and let them begin smiling, and even allow them to pass the time, then the time is ripe - to capture this moment. This photo is not just their good lighting, natural pose, your pictures will make them chance natural.

a Window: The subject should be light in the window where

, especially anywhere north window light portraits is 1 of the most beauteous light (in truth, Some professional photographers insist ashore using only always normal skylight light shooting portraits). Windows dispelled into the light, the larger windows, more light, soft, dispersed. So, if you've got some good window light, then the subject should be where the light ambition do best? You want to subject their elbows to face the window (so the light would pass via over the subject, the face side of the shadow will be soft). Then, let Pi Sheti 1.8 m away from the windows, so the light is very soft, and lingering approximately in Pishe Ti (if the distance between them is more recent, then the soft light will alteration presently). And so the subject a little backward the windows, so they can come into adjoin with the brim of the window light, not direct brightness. This edge of the light is very soft, and you will obtain a lot of professional photographers imagine of the faultless, magical light.

face challenges dealing with the six quickest course

to the subject through the pose and lighting, you can hide or depress the number of typical facial problems (such for large neb, round face, wrinkles, huge ears, etc.). Here are six varieties of shortcuts to assist you make the subject look the best facial expressions.
(1) If the subject is bald, then shot from cheap angles, do not use the cilia light and the like.
(2) If the subject is plagued wrinkles, then try to illuminate them directly, because the side light will emphasize the shadows, wrinkles more affirmed.
(3) If the subject's ears great, then they posture, so only the one ear, and then clarify them, so that one ear will be the shadow side of the face (so elementary on, with only one ear, when the other hidden in shadow).
(4) If the subject is a pearly long big nose (which is just a technical term), then they turned his head instantly facing the camera, so their chin slightly raised, and then from a low angle shot, This perspective does not accentuate the nose.
(5) If the subject is a twice chin, then let them look at the camera directly, and then they head toward the front of the camera slightly stretched. This stretch and constrict the chin peel. And if they direct light (the light directly on top of the location of the photographer), so an amplify in the shadow below the chin, to hide a twice chin.
(6) If the subject is more fat round face or the face, you can laugh at them and let them lose a few pounds. Then when their eyes full of tears, you will have their day in the most natural expression. Of way, you can also make them face down the left or corner right, just shoot the face 3 / 4, so that their faces will not look so round, antagonism the fact that of course is very round.

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