but after all

Editor's note: Love can not continue, memories, each said sound blessing. More comfortable on the computer next to the trance, I think of many past,abercrombie, bit by bit my heart,moncler homme, time seems to have suddenly back to our beginning, everything was so clear.
our first date until our last meeting, do not know why we would become what it is today, maybe I am wrong. But you have thought about you right it? I remember you bought me a ring? That is what you gave me, that I never really mind the price of the ring, because it is a piece of your mind, you can say you spent a ring of half pay,doudoune moncler, what is not willing to buy your own, I Why to care about the price of the ring. Then we quarrel and you still will have to go back, that is what you say it? From that time our feelings cracks appeared, not because you have to go back to the ring, but you did hurt my heart, I must admit, you did not spend less on me. You also said I do not feel bad to spend money, I really grateful, not just once you tell me, I will not as good as before,abercrombie paris, because you do not want to put a person on my mind, that we together interesting?
finally could not help each other, and made a break, in fact, we skelter more than once, but after all, paid a feeling, how could you break it so easily! But a month ago, you have made a break, I promise, I do not want to dwell again repeatedly, and tired. You say you like me better before. You may have changed, you will not feel good I tell you, I really have not changed for you.
I think this time we really broke up, they called you yesterday, that they want to,polo ralph lauren discount, and asked me recently had a good or bad, no secret that I am also quite misses you, I know between us have feelings, you still mad at me that you have a girlfriend, I cried, really sad. I thought a good feeling coming to an end, my heart will always point bear. You cry, so you would feel uncomfortable.
then I offer you my Valentine, I know your girlfriend is so ########, I was cheated you, you are trying to catch me, but in the end I refused, I want to live in the repeated struggle, the Although we have feelings, but it is difficult to compound, and your good to me, I will never forget, really from my heart I wish you happiness, we did not come to the last, really want a lifetime by your side, but we really that can not be continued, to find you another happiness!相关的主题文章：


Reporter Liang Shubin

欧盟委员会预测2009年英国经济将下降2.8％

千年古国炳新篇


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."