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&nbsp;To christen a sprightly young female advo- cate of woman's rights Olivia Q. Fleabody was very happy indeed; to be candid, it was much better than was usual with Mr. Trollope, whose understanding of American life and manners was not enlarged by extensive travel in this country. An English tourist's preconceived idea of us is a thing he brings over with him on the steamer and carries home again intact; it is as much a part of his indispensable impedimenta as his hat- box.&nbsp; <a href="http://www.bestsunglassesoutlet.com/category/coach-sunglasses"><strong>Coach Sunglasses</strong></a> But Fleabody is excellent; it was prob- ably suggested by Peabody ######## oakley sunglasses, which may have struck Mr. Trollope as comical (just as Trollope strikes &lt;i&gt;us&lt;/i&gt; as comical), or, at least, as not seri- ous.&nbsp; What a capital name Veronica Trollope would be for a hoydenish young woman in a society novel!&nbsp; I fancy that all foreign names are odd to the alien.&nbsp; I remember that the signs above shop-doors in England and on the Conti- nent used to amuse me often enough, when I was over there.&nbsp; It is a notable circumstance that extraordinary names never seem extraordi- nary to the persons bearing them.&nbsp; If a fellow- creature were branded Ebenezer Cuttlefish he would remain to the end of his days quite un- conscious of anything out of the common. &nbsp; &nbsp; HENRY JAMES, in his paper on Anthony Trollope, says that if Trollope &quot;had taken sides on the rather superficial opposition between novels of character and novels of plot, I can imagine him to have said (except that he never expressed himself in epigram) that he preferred the former class replica&nbsp; oakley dart sunglasses, inasmuch as character in itself is plot, while plot is by no means character.&quot; So neat an antithesis would surely never have found itself between Mr. Trollope's lips if Mr. James had not cunningly lent it to him.&nbsp; What- ever theory of novel-writing Mr. Trollope may have preached, his almost invariable practice was to have a plot.&nbsp; He always had a &lt;i&gt;story&lt;/i&gt; to tell, and a story involves beginning, middle, and end--in short, a framework of some description.&nbsp;&nbsp; THE CRUELTY OF SCIENCE IN the east-side slums of New York, some- where in the picturesque Bowery district, stretches a malodorous little street wholly given over to long-bearded, bird-beaked mer- chants of ready-made and second-hand clothing. The contents of the dingy shops seem to have revolted, and rushed pell-mell out of doors, and taken possession of the sidewalk.&nbsp; One could fancy that the rebellion had been quelled at this point, and that those ghastly rows of complete suits strung up on either side of the doorways were the bodies of the seditious ringleaders. But as you approach these limp figures, each dangling and gyrating on its cord in a most suggestive fashion, you notice, pinned to the lapel of a coat here and there, a strip of paper announcing the very low price at which you may become the happy possessor.&nbsp; That dis- sipates the illusion. POLONIUS, in the play, gets killed--and not any too soon.&nbsp; If it only were practicable to kill him in real life!&nbsp; A story--to be called The Passing of Polonius--in which a king issues a decree condemning to death every long-winded, didactic person in the kingdom, irrespective of rank, and is himself instantly arrested and de- capitated.&nbsp; The man who suspects his own tediousness is yet to be born. 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